Networking Bursaries
Some people simply ‘know the right people’ either through family, school or university and have social connections with people working in the arts giving them an advantage in gaining opportunities and employment.
Our Networking Bursaries are for those who identify as from a lower socio-economic background and they are designed to support reducing social, cultural, and capital barriers.
The bursaries are for theatre professionals (artist, creative, producer, stage manager, technician etc) to begin or continue to grow their networks. Applications can be made as an individual, a group/collective, or as a company.
We are really open to what the bursary is used for but at its heart the idea supports building connections and networking opportunities for working class theatre professionals. The bursary might be used to host a networking event in your city/town or nationally online or in person or pay for your time to have meetings with key people you want to connect with. This might be artistic directors or programmers at theatres, or potential collaborators you want to work with.
PLEASE NOTE: We are not yet open for applications.
Please sign up to our mailing list to find out when applications open for directors and theatre makers.
Networking Bursary recipients 2024

KOKO BROWN is a Black-mixed, Queer, Disabled Artist & Producer. She takes pride in her roots, being ‘the other’ and blends theatre, spoken word and music throughout her work. She aims to make all her work #AccessibleAsStandard.
An Alumni Associate Artist at Ovalhouse, Resident Artist at the Roundhouse and Oberon Books/Bloomsbury published author, Koko has worked with the National Theatre, Latitude Festival, Soho Theatre, Brainchild and Glastonbury Festival as well as international performance collective Hot Brown Honey.
With a move to Sheffield planned, Koko used the Networking Bursary to branch out beyond London – reviving old connections in the North and making new ones. She also developed a menu of transferable skills to help her find creative ways to sustain her artistic work.
WEBSITE: www.heykoko.com
SOCIALS: @theKokoBrown

MASHA KEVINOVNA is an Artist of Ukrainian, Russian and Jewish heritage. She is the Artistic Director of OPIA Collective.
Recently she directed the world premiere of LOVE BOMB by Benjamin Salmon at National Youth Theatre and toured the five star production of LALI to VAULT Festival & Mercury Theatre, nominated for the Origins Award for Outstanding Theatre 2023. Masha is a JMK Finalist 2022 for her production of Crave by Sarah Kane. In 2020 Masha was awarded the inaugural Bryan Forbes Bursary for NYT REP Company where she assisted Ed Stambollouian and Miranda Cromwell before writing and directing the acclaimed Ordinary Miracle, premiering at National Youth Theatre. Her debut play ‘The Girl With Glitter In Her Eye’ premiered at Bunker Theatre to a great critical reception.
Masha used the Networking Bursary to have in-person meetings with the Artistic Directors and Producers of eight venues outside of London, to make better connections and get a first-hand understanding of the venues.
TWITTER/X: @MashaKevinovna
INSTAGRAM: @masha.kevinovna
COMPANY INSTAGRAM: @opiacollective
WEBSITE: www.mashakevinovna.com

MAYA LITTLE is a theatre director and writer based in Oxford. Her work aims to split open cruxes of difficult-to-reach emotion and strives to arrive at a place of hope. She likes to make work that is a little weird, with current preoccupations in capitalism and climate justice. At the centre of her practice is attention and connection.
With the Networking Bursary, Maya connected with sound designers and began to build connections with venues making site-specific work, as well as other creatives living and making work locally. This all fed in to developing her ambitious project, ‘how to run away with the sea’, a love story between a human and the sea.
WEBSITE: www.mayalittle.co.uk

JOSIE WHITE is a working class, LGBTQIA+ theatre maker of colour from Nottingham whose work revolves around three core themes: Mental health, Working-Class people and LGBTQIA+ people, which she uses to create exciting, challenging, and entertaining theatre for the young people. She believes tackling hard subjects with humour is generally how people cope with harsh realities and it is a tool she uses throughout her work to get audiences comfortable talking about the uncomfortable.
Josie used the Networking Bursary to feed into an extensive outreach scheme aimed at underrepresented artists and creatives across the Midlands, which ran alongside a UK tour of her new debut play ROTTEN, directed by Rikki Beadle-Blair, co-produced by Emmerson & Ward, and supported by ACE, Derby Theatre, Curve Theatre and Derbyshire LGBT.
INSTAGRAM: @josiemw1
TWITTER/X: @josiemwhite
Networking Bursary recipients 2023:
FIND OUT MORE
To find out more about the Networking Bursaries, get in touch with us on rtyds@rtyds.co.uk.